Gallonwood Press

Gallonwood Press

Where the footnotes make room for a human being to walk through them.

Publishing literary historical fiction, documented genealogical history, and inspirational writing rooted in truth, memory, and the lives history almost forgot.

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About the Press

Why Gallonwood Press Exists

Gallonwood Press was founded on a single conviction: that some histories are easier to carry, and easier to pass on, in the shape of a story than in the shape of a footnote.

The press publishes literary historical fiction, documented genealogical history, and inspirational and self-help writing — all rooted in the same commitment to truth, memory, and the lives that history almost forgot. Every book published under this imprint begins with a question the documentary record cannot answer, and tries to give that question a human shape.

The footnotes are never hidden. They simply make room, in these pages, for a human being to walk through them.

"Some histories are easier to carry, and easier to pass on, in the shape of a story than in the shape of a footnote. The footnotes are still here. They simply make room, in these pages, for a human being to walk through them."

— Regina Lynn Gallon, Series Note, The Plight of the Captive

Gallonwood Press is an independent literary imprint publishing serious work for readers who believe that the past is not finished — that the names in the ledger books, the faces behind the census entries, and the women who hid knowledge in their hair deserve more than a footnote. They deserve a story.

Our Books

The Gallonwood Press Catalog

Roots in Red River Country
Spring 2027 Companion Genealogical History · Not Part of the Fiction Series Roots in Red River Country An African American Family History of the Hooper, Deramus & Jackson Families Gallonwood Press
The Salesman Cover Coming Soon
Available Winter/Spring 2027 The Plight of the Captive · Book Four The Salesman A Novella of the Anatomy Trade Literary Historical Fiction · Gallonwood Press
Book Five Title & Cover Coming Soon
Coming 2027 The Plight of the Captive · Book Five Book Five Title to Be Announced Literary Historical Fiction · Gallonwood Press
Literary Historical Fiction

The Plight of the Captive Series

The Plight of the Captive Series is a progressive series of novellas inspired by true, documented historical events, each one centering a single invented figure carrying a real, sourced historical practice from American slavery. Built entirely from verified historical record, the series moves forward through documented history one novella at a time. Each book closes with a Historical Note stating plainly what is documented fact and what has been imagined in service of telling that fact as a story.

Born out of Roots in Red River Country — the documented genealogical history tracing the slave corridor from South Carolina through Alabama to Louisiana and Texas. Each book stands alone. Any book can be read first.

01
Persons Unknown
A Novella of Racial Terror in the Age Called Freedom
August 2026
02
Charity
A Novella of the Fancy Trade
October 2026
03
The Dandelion Boy
A Novella of the Fancy Boy Trade
December 2026
04
Roots in Red River Country
The Documented Genealogical History Behind the Series
Spring 2027
05
The Salesman
A Novella of the Anatomy Trade
Winter/Spring 2027
06–20
Continuance of the Series
The complete series — forthcoming
TBA 2027–2028

The complete 20-book series will be available as a collected bundle.  ·  Each book stands alone.

The Work

From the Blog

The Work

Why I Wrote Persons Unknown

There is a kind of grief that accumulates quietly over a lifetime — the grief of turning on the news, again and again, to learn that another Black man or woman has been taken from us.

Read the Full Post
The Work

Why I Wrote Charity — and Why I Couldn't Stop at One Book

The series began as a short story. It became a novella. It became twenty books. What the genealogical record showed me that fiction could carry in ways a footnote could not.

Full post coming soon

The Work

Why I Wrote The Dandelion Boy

Some stories are carried by the ones too young to carry them. This is the record of a boy inside the fancy boy trade — and why his story could not wait.

Full post coming soon

The Work

Roots in Red River Country: The Documented History Behind the Series

Before there was a series, there was a family tree — and the census records, deed books, and freedmen's files that made it possible to trace.

Full post coming soon

The Work

Why I Wrote Persons Unknown

There is a kind of grief that accumulates quietly over a lifetime — the grief of turning on the news, again and again, to learn that another Black man or woman has been taken from us. Taken senselessly. Taken unceremoniously. Taken with little mention and even less justice than would be extended to others. And then — as if on cue — the machinery grinds forward: the character assassinations begin, the cover stories solidify, and the names fade from headlines before a single person is held accountable.

I grew tired of it. Not a passive, resigned tired — but the kind of tired that forces a reckoning.

These are not isolated incidents. They are the continuation of a generational wound woven into the very fabric of American life — one that tore open in 1865 the moment emancipation was declared, when an Age of Racial Subjugation answered freedom with violence, terror, and deliberate silence. The mechanism has never changed. Only the costume has. The murders. The lies. The cover-ups. The systematic defamation of the dead. The erasure of entire lives as though accountability were never a serious consideration — because the same Age of Racial Subjugation that rose up after emancipation is still breathing fire upon this nation in 2026.

And so I wrote Persons Unknown.

I wrote it because their names deserve to be spoken aloud and received with the weight they carry. I wrote it for every Black man handed a broken world — a world deliberately engineered to keep him from building generational wealth, from owning land and property without threat of seizure or arson, from accessing credit, capital, and the financial systems that build futures. A world designed to keep him from voting without fear of retaliation, from pursuing education freely and without humiliation, from entering professions that would allow him to lead, innovate, and provide. A world constructed to deny him safe passage through his own neighborhoods, to bar him from full dignity under the law, to criminalize his very presence and then punish him for defending himself against that criminalization. A world that stole from him the right to grieve publicly, to be believed when he spoke of injustice, to raise his children in peace without preparing them for a system that had already decided their worth. A world that denied him the uncontested right to dream without a ceiling installed by someone else's hatred — to live, to love, to age, to be fully and unquestionably human.

I wrote it for the ones who spent their lives fighting that world. And I wrote it for the ones taken before the fight was finished.

This book belongs to all of them.

My heart goes out to every Black man and woman whose story was buried, whose name was run through the machinery of defamation, whose family was left without answers, without acknowledgment, without justice. Because the truth needs to be told. Names need to be spoken. Voices need to be heard. And hearts — all of our hearts — need to know what it feels like to have someone look directly at grief and say: I see it. I believe you. It mattered.

That is where healing begins. Not in silence. Not in the comfortable avoidance of what is ugly and true about this country's history. But in the kind of honest reckoning that real acknowledgment demands.

If we are ever to move past the bigotry that has defined so much of American life, and forward into something that genuinely resembles unity — it will not be because we looked away. It will be because we finally looked straight at what was done, named it plainly, and refused to let another soul be forgotten.

Persons Unknown is my refusal.

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Regina Lynn Gallon

Regina Lynn Gallon

The Author

Regina Lynn Gallon

Author · Historian · Genealogist · Founder, Gallonwood Press

Regina Lynn Gallon was born in East Texas — in Nacogdoches, the oldest town in Texas, rooted in Shelby County and the Freedom Colonies that her ancestors built after emancipation on land they earned through survival, labor, and an unbroken determination to remain. She grew up in the shadow of that history, knowing that the names in her family tree stretched back through the domestic slave trade, across the American South, and further still — to the Motherland, to people who were stolen before they could leave a record of their own.

That knowledge became her life's work. Regina Lynn Gallon is the founder of Gallonwood Press and the author of The Plight of the Captive, a twenty-book series of literary historical fiction that follows the journey of enslaved people from the African continent through the domestic slave trade of the United States — from the auction blocks of Charleston to the cotton fields of Alabama, down the Red River corridor into Louisiana and East Texas. She is also the author of Roots in Red River Country, a genealogical history nearly 75,000 words deep, documenting what the census records, the deed books, and the freedmen's bureau files preserved when the people themselves were not permitted to leave their own testimony.

Her mission is singular: to tell the history of her ancestors — from the Motherland to the slave ship, from the domestic trade to the Freedom Colony — in every register available to her. As documented history. As literary fiction. As ancestral memory that refuses to stay in a footnote. Every book she publishes begins with the names the ledger recorded and asks the question the ledger never answered: what was it to be a human being inside this?

She writes under her legal name. She writes with Nacogdoches and her ancestors in her heart.

Gallonwood Press

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Get in Touch

Gallonwood Press

reginalynngallon@gmail.com

404-635-6620

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Available August 2026

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Book One of The Plight of the Captive
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